no time

I've been wrestling with tense. Tense about tense. Unintentionally when I started writing September 10th I was working in the present tense then somewhere along the way I realized what I was doing and had to question it. There's a reason for it. Time compressed into a single moment--a metaphor for the compression of Brian's life--how the magnitude of a single event can implode an entire life. In pursuit of anonymity the past doesn't matter anymore and the future doesn't exist.

The mechanics of doing this have been problematic. Like a cinematographer shooting live I was capturing it documentary style yet I (the omniscient narrator) was no longer present. So how can the conjugation change midstream, the tense reverse course? I go back and forth and in the editing find myself constantly adjusting. This is my dilemma. The dilemma of invention, I guess.